As a descendant of the Kisii Indigenous tribe, it's always been an honor to explore our cultural and traditional legacy, from the fertile soils that support our agriculture to the soapstone beneath the earth. For as long as I can remember, my grandmother has told us about the abundance of our land and people. Through my formal education and endless curiosity about our natural and social world, I had the privilege of visiting the Tabaka Hills to explore the world of soapstone mining.
By speaking with and observing the Indigenous skilled frontline laborers, I learned about the good, the difficult, the inspiring, and the opportunities for change. In this photo journal, I share a glimpse of soapstone mining through my eyes, an interdisciplinary lens: nature, sustainability, and economics.
Karibuni - welcome.
Indigenous Kisii miners carefully slicing soapstone using a handsaw — a practice passed down through generations, rooted in skill, patience, and tradition.
Final product decorative pieces curved by indigenous artisans.
What is Soapstone?
Soapstone contains talc, which gives it its signature softness; when touched in raw form, it leaves behind a white powder. Many industries use soapstone such as paper, plastic, and paint industries. During this field visit, I focused mainly on the crafting industry. According to the Kenya Geological Survey (2008), about 22 billion tons of soapstone are in the Kisii Hills.
The indigenous geologists and miners used simple tools, such as hammers, hand saws, pangas (machetes), and chisels, to extract the stone, which artisans then carved, shaped, and polished into various forms.
This photo shows a soapstone mining site tucked into the middle of a planted forest. You can see where the land has been dug out and how the surrounding vegetation remains intact. Most of these mines are on family land inherited through generations, so there aren't formal policies for land rehabilitation — and that's expected. The mining here is small-scale, done by hand, and doesn't cause significant destruction.
Still, it's a reminder of how closely the environment and local livelihoods are connected. The same land that provides stone also grows their food. Mining and farming aren't treated as separate industries here; in Tabaka, they coexist seasonally and spatially, depending on rainfall, demand, and daily survival. It's not just resource extraction; it's living with the land.
So, Nyasaina, is this sustainable?
Sustainability is all about the long-term balance of resource extraction and this current model is sustainable. However, if overexploited it, then we must prepare for a ripple of problems, but since this current model is small-scale and has an Indigenous people's balance, this low-impact extraction can be sustainable.
Why Does Soapstone Come in Different Colors?
The base color of soapstone is white, because it is primarily comprised of talc. But other minerals give it a variety of hues:
Grey soapstone has magnetite
White soapstone talc
Red/brown has iron oxide
Pink has feldspar-like minerals
Witnessing the entire production process was fascinating. From mining the raw stone to shaping, carving, sanding, and polishing the final pieces. The artisans generously shared how the community-run supply chain sustains income at different stages. After extraction, the stone is sold to artists by size. They wash and sand the stone to remove the white powder, making it easier to paint. This photo shows Kisii women cleaning soapstone bowls in preparation for the next stage of production.
The designs vary from abstract shapes and animals to chess sets and cultural artifacts, each reflecting the artisan's creativity. Many of these carvers are also subsistence farmers. Their work preserves heritage and is a source of income.
Chess sets for chess enthusiasts
Candle holders
Giraffe family
Tea Pot - Soapstone is a great heat insulator
The Economic Reality
Economically, soapstone mining is not a protected or supported industry, although it has much profit potential. Although Tabaka is rich in soapstone and talent, the economic benefits are yet to match the activity level or cultural value. There is no investment in the development of the craft, such as limited safety working equipment, and there is no formal artisan training or marketing. This has reduced production, limited scalability, and increased the likelihood of worker injuries. While the artisans do most of the work, the low output and limited marketing have led to low income. What surprised me most was that many artisans don't know how to price their products fairly or grow their operations. They often rely on local buyers, which limits economic opportunities. Simple interventions — like business training, fair pricing education, and support in branding — could change that.
So What Can We Do?
Soapstone mining remains undervalued, unlike cash crops, but we can change that.
We can support Indigenous artisans by offering formal business education and creating long-lasting, community-led impact. We can organize local business workshops that bring trainers directly to the community and focus on fair pricing, pitching, record-keeping, and branding. To ensure language accessibility, these workshops must be facilitated in Kisii or Kiswahili.
This program can also introduce digital tools and e-commerce training to help artists market their work online. Through the African Youth Advisory, we also recommend intergenerational collaboration: bringing together artisans and landowners with business students at Kisii Universities to co-create business plans, packaging ideas, and marketing strategies.
This would be a powerful community development project, a perfect blend of modern and traditional education. A true gamechanger.
All photos by Nyasaina Kwamboka
My deepest gratitude to all who spared time to share their knowledge in Tabaka, Kisii. And sincerely gratitude to ACE for their generous funding which made our participation in this event possible.
About the Author
Nyasaina Kwamboka is an Environmental Economist and the Founder of the African Environmental Youth Advisory. She advocates for interdisciplinary environmental education rooted in Indigenous knowledge, intersectional participation, and global collaboration. Her goal is to build a dynamic, accessible database of environmental knowledge to inform better policy and drive intentional climate finance for adaptation.
You may connect with her on LinkedIn